1. 福田成和(1884-1954) 大漆坂崎和标准昭和时代 高清作品[100%]

A large <em>lacquer</em> sakazuki and standShowa era

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FUTAGI SEIHO (1884-1954):A large lacquer sakazuki and stand
Showa era (1926-1989)
The red lacquered wide wood sake cup decorated on the obverse in hiramaki-e of snow-covered Mount Fuji ascending above the clouds in the background, and the Shira-ito Waterfall of Fujinomiya and its accompanying forest of maple and pine trees over a nashiji ground in the foreground, the tendrils of water depicted in gold and silver low-relief maki-e flowing to the very edge of the dish, the surface of the rock of the waterfall cliff decorated with gold Gyobu square flakes, on the reverse of the sakazuki a blossoming prunus tree and clouds in gold in hiramaki-e and low-relief; the accompanying black lacquered stand featuring a rimmed platform with a hiramaki-e motif of two cranes in flight surrounded by gold mist, the indented rounded legs of the stand covered in the stalks and leaves of a bamboo forest, the interior of the stand decorated in nashiji; the designs of the sakazuki and stand together completing the felicitous motif of pine, bamboo, and prunus
With lacquered wood outer tomobako storage box signed Futagi Seiho saku in silver lacquer and sealed Seiho in red lacquer, and the sakazuki with its own lacquered wood tomobako storage box which fits inside the larger box, also signed Futagi Seiho saku in silver lacquer and sealed Seiho in red lacquer
2 5/8 x 7 7/8in (6.7 x 20cm), sakazuki; 8 3/8 x 8 1/2 x 7in (21.3 x 21.6 x 17.8cm), stand

福田成和(1884-1954) 大漆坂崎和标准昭和时代

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3. 归因于田中孝美(1881-1972) 昭和时代的漆,20世纪 高清作品[97%]

A <em>lacquer</em> kashiki Showa era , 20th century

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ATTRIBUTED TO TANAKA HYOAMI (1881-1972):A lacquer kashiki (sweet dish)
Showa era (1926-1989), 20th century
Of irregular circular form with raised rim, made from lacquer mixed with polishing-stone powder and sawdust and finished with a layer of silver filings, unsigned
With a clear-lacquered tomobako storage box inscribed on the cover Gin yasuriko-fun torigashibon (Serving tray for sweets with surface finished in silver filings), signed on the underside of the cover Nushi Hyoami (Lacquerer Hyoami) with seal Hyoami, and with tomogire (original silk wrapper) stamped Honkataji nushi maki-e Tanaka Hyoami (Made in honkataji technique [see footnote], lacquerer and maki-e artist Hyoami)
10 3/8in (26.5cm) diameter

归因于田中孝美(1881-1972) 昭和时代的漆,20世纪

下载归因于田中孝美(1881-1972) 昭和时代的漆,20世纪大图

4. TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪 高清作品[94%]

A gold <em>lacquer</em> four-case inro and matching ojimeEdo period  or Meiji era , and Showa era , 20th century

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TOSHITOYO (ACTIVE 19TH CENTURY) AND SARATANI TOMIZO (BORN 1949):A gold lacquer four-case inro and matching ojime
Edo period (1615-1868) or Meiji era (1868-1912), and Showa era (1926-1989), 20th century
The inro with a kinji ground decorated in gold and and slight-colored hiramaki-e with a bamboo grove, some of the leafy stems waving as if stirred by a gentle breeze, the interior plain black lacquer, signed in gold lacquer Toshitoyo with a kao, fitted with a gold lacquer tubular ojime lacquered in green hiramaki-e with bamboo, signed Tomi
3 1/4in (8.2cm) high

TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪

下载TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪大图

6. 菊川(活跃于19世纪) 19世纪江户时代的一套十个带有植物图案的漆碗和漆盖 高清作品[84%]

A set of ten <em>lacquer</em> bowls and covers with plant motifsEdo period , 19th century

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KIYOKAWA (ACTIVE 19TH CENTURY):A set of ten lacquer bowls and covers with plant motifs
Edo period (1603-1868), 19th century
The ten suimonowan of lacquered wood, with a plain brown-black exterior and an individual plant depicted in hiramaki-e on the interior of the bowl and cover, including iris, plum blossom, bush clover, nandina, lily, narcissus, cherry blossom, bellflower, golden lace, and Adonis ramosa, each bowl signed in lacquer in the interior of the foot Kiyokawa-saku (10)
With a wood tomobako storage box and two fabric sleeves
4 1/2in (11.4cm) diameter, each

菊川(活跃于19世纪) 19世纪江户时代的一套十个带有植物图案的漆碗和漆盖

下载菊川(活跃于19世纪) 19世纪江户时代的一套十个带有植物图案的漆碗和漆盖大图

9. 正雄 18世纪晚期江户时代的漆五箱 高清作品[82%]

A <em>lacquer</em> five-case inroEdo period , late 18th century

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MASAYOSHI:A lacquer five-case inro
Edo period (1615-1868), late 18th century
Of lenticular profile, with integral cord-runners, decorated in gold, silver, and brown hiramaki-e and takamaki-e against a dark brown-lacquer ground sprinkled with hirame, depicting swallows and wisteria, the interior fundame with patches of nashiji, signed Masayoshi saku; fitted with a brass ojime formed as a jar
3 3/8in (8.6cm) high

正雄 18世纪晚期江户时代的漆五箱

下载正雄 18世纪晚期江户时代的漆五箱大图

10. 肌球蛋白(活跃的18世纪) 18世纪,一个歌舞伎和门波江户时期 高清作品[81%]

A suji kabuto and menpoEdo period , 18th century

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MYOCHIN IEHISA (ACTIVE 18th CENTURY):A suji kabuto and menpo
Edo period (1615-1868), 18th century
The russet-iron helmet constructed of 16 plates riveted together, the crown mounted with a three-stage gilt-copper and shakudo tehen kanamono, the front adorned with a lacquered-wood maedate formed as a long-eared demon, the helmet bowl fitted with a five-lave solid shikoro lacquered black and laced in green and orange sugake style, the fukigaeshi applied with pebbled leather highlighted with gold lacquer and applied with gilt-copper plum-floret family crests; the russet-iron menpo with a hinged nose plate and deep wrinkles on the cheeks, the interior lacquered red, fitted with a four-lame yodarekake laced to match the shikoro
9 7/8in (25.1cm) wide (across the helmet bowl)

肌球蛋白(活跃的18世纪) 18世纪,一个歌舞伎和门波江户时期

下载肌球蛋白(活跃的18世纪) 18世纪,一个歌舞伎和门波江户时期大图

11. IIZUKA TOYO血统 19世纪江户时代的银漆单壳 高清作品[81%]

A silver <em>lacquer</em> single-case inroEdo period , 19th century

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IIZUKA TOYO LINEAGE:A silver lacquer single-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold, silver, and colored hiramaki-e and takamaki-e against a silver lacquer ground, depicting Manchurian red-crowned cranes resting on the ground, the interior gold nashiji, the rims gold fundame, signed Toyo with a kao (cursive monogram)
1 7/8in (4.8cm) high

IIZUKA TOYO血统 19世纪江户时代的银漆单壳

下载IIZUKA TOYO血统 19世纪江户时代的银漆单壳大图

12. IIZUKA TOYO血统 19世纪江户时代的金漆五箱 高清作品[81%]

A gold <em>lacquer</em> five-case inroEdo period , 19th century

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IIZUKA TOYO LINEAGE:A gold lacquer five-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in high-relief red and black takamaki-e with an octopus against a background of gold and aokin lacquer with accents of gold kirigane depicting a stormy sea and rocks, the reverse with a hawk, signed Iizuka Toyo; netsuke wood, carved as an octopus
3 3/4in (9.5cm) high

IIZUKA TOYO血统 19世纪江户时代的金漆五箱

下载IIZUKA TOYO血统 19世纪江户时代的金漆五箱大图

13. SHIOMI MASANARI血统 19世纪江户时代的金漆五箱 高清作品[81%]

A gold <em>lacquer</em> five-case inroEdo period , 19th century

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SHIOMI MASANARI LINEAGE:A gold lacquer five-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in sumi-e togidashi maki-e on a kinji ground with two crows perched on the branch of an old persimmon tree, the interior of nashiji, signed Shiomi Masanari; fitted with a gold-lacquer ojime decorated with spiders spinning webs in black takamaki-e
3 1/2in (8.9cm) high

SHIOMI MASANARI血统 19世纪江户时代的金漆五箱

下载SHIOMI MASANARI血统 19世纪江户时代的金漆五箱大图

14. KOMA KYUHAKU血统 19世纪江户时期的黑漆四箱 高清作品[80%]

A black <em>lacquer</em> four-case inroEdo period , 19th century

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KOMA KYUHAKU LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in ceramic and shell inlay and gold and colored hiramaki-e with accents of gold kirigane against a black lacquer ground, depicting a cricket perched in a gourd, with leaves and tendrils, unsigned; with a wood ojime carved as a pinecone; netsuke staghorn, carved with an insect and snail on a pine tree
2 7/8in (7.3cm) high

KOMA KYUHAKU血统 19世纪江户时期的黑漆四箱

下载KOMA KYUHAKU血统 19世纪江户时期的黑漆四箱大图